Monday, September 27, 2010

Housewarming around the corner!

Hand embroidered invitations by Cypress College Students Ben Aule, Ryan Butzer, Mik Calandrino, Ariane Delmendo, Luis Garcia, Maritza Garcia, Graham Husted, Min Lee, John McCarrick, Jodie Nguyen, Steve Santillan & Amy Wise
Join us this Thursday at the Cypress College Gallery from 6-8PM for the artist's reception for Fall Residency I. There will be food, fun & Falcon Eddy!

For more information and directions- check out the new website

See you there!

Sunday, September 12, 2010

Summercamp Project Project goes to College!



CYPRESS COLLEGE GALLERY




Summercamp’s Project Project: 

Fall Residency I







September 7 – October 28, 2010




Artists Reception: Thursday, September 30, 6 - 8pm




Non locality and the transference of space, energy and memory



Panel Conversation & Closing Reception: Thursday, October 28, 4-6pm

Organized by Fatima Hoang, Elonda Billera, and Janice Gomez

Chelsea Dean - Falcon Eddy - Corinne Kamiya - Justin Michell - Gina Osterloh - Julie Schustack - Christian Tedeschi - Bari Ziperstein






Bari Ziperstein
Floor plan of Summercamp Project Project located in El Sereno, CA mapped onto Cypress Gallery floor plan
Working drawing for large scale tape installation, 2010

Summercamp is a home in the neighborhood in El Sereno, Los Angeles designed and built by Al Kaelin in 1950. The homemade modern house, full of pass-throughs and secret spaces, currently functions as an artist live/work space and hosts Project Project, Founded by Fatima Hoang, Elonda Billera, and Janice Gomez, Project Project showcases exhibitions, performances, lectures, workshops, screenings and events by activating multiple parts of the property – installing works in the sloping backyard, projecting videos on the living room ceiling, and showcasing musical performances in the old goat pen.

For Fall Residency I, the eight artists, Chelsea Dean, Falcon Eddy, Corinne Kamiya, Justin Michell, Gina Osterloh, Julie Schustack, Christian Tedeschi, and Bari Ziperstein will propel this energy by building an interpretation of Summercamp’s Project Project inside the gallery; pulling from past exhibitions, honing the history of the house, and making it mobile. Dealing with the themes of home in transition, function into entropy, connectedness and resourcefulness – the on-site collaboration will be an active part of the process and a learning experience for Cypress College exhibition design students who will assist in the construction, events, and docent tours of the show.




Installed works in the gallery span from densely textured architectural photographs, a miniature kitchen in a fruit fly trap and sets inspired by pass-throughs to a large scale tape installation. Each laying the foundation for open collaborative interaction with works such as a fully functional staircase made from salvaged wood which can double as bleachers to watch Falcon Eddy’s performance. Trying to make sense of movement and memory, Corinne Kamiya will be featured in Guestroom. In Kamiya’s 1 inch = 1mm scale apartment, she creates a portable safety among the chaos of change.


A closing panel conversation: non locality and the transference of space, energy and memory moderated by Tarra Stevenson, writer and; educator will include panelists: Carol Cheh, performance art writer, David P. Earle IV, artist, writer and educator; Douglas Rompasky, nomadic computer programmer--traveling for the past two years around the world on his bicycle, Christian Tedeschi, the artist representative of the current exhibition, and Liza Wade Green, performing artist who will be at Summercamp for a residency at the end of October.





Cypress College Gallery will be open from September 7 to September 29 for the public to view the installation process and collaborations with Cypress College students culminating in a reception on Thursday, September 30 from 6 to 8pm to view the completed project. The completed project will be on view from September 30 – October 28, 2010.








GALLERY HOURS:
Monday - Thursday 10am - 2pm
Tuesday, Thursday 4pm - 6pm

CYPRESS COLLEGE GALLERY
9200 Valley View Street
Cypress, CA 90630-5897
714.484.7133
cypresscollege.edu

Gallery parking in Lot 1 or Lot 8
Parking pass available at yellow kiosk


Thursday, August 26, 2010

1920s Field Day: Obsessed with Parasols to Boot

Hector Oviedo in Guestroom.

Rochelle Botello's Dreamboat floating down the hill.
Watercolor by Aragna Ker
Finding tigers in El Sereno...
The lay of the land.

Images from Paul Pescador's photographic series 3119 Chadwick.
New works by Kris Chatterson. Courtesy of Western Project.
Shifting in and out of focus, Jamison Carter's Specter.
Meriel Stern and friends amongst the nipples.
Matt MacFarland continuing the Lost Artworks series.
On to the next one.
A breath of fresh air courtesy of Laurie Sumiye's OxyTree.



View from the bottom of the hill. Nancy Popp getting ready to roll and unwind.
Audience watch from Meriel Stern's crocheted Womans Work  while Nancy Popp catches air.
Laurie Sumiye's OxyTree provides fresh green oxygen (and some much needed shade) 24/7.
Thank you Dan and Kate for providing transportable shade! A special thanks to Yuki for photographing the day's festivities.    


Wednesday, August 11, 2010

Obsessive Obsession Obsessed


Summercamp's Project Project presents Obsession Obsessive Obsessed, an outdoor group exhibition of artists who either through material, compulsion, process or concept are consumed, fixated, or possessed.
Organized by Fatima Hoang, Elonda Billera & Janice Gomez. 
 

Opening reception Sunday, August 22nd from 5—8 pm
Exhibition runs from August 22—September 3. Hours by appointment

Paul Pescador is an artist and artist organizer. His actions, gestures and performances deal with issues surrounding social disconnection and communal space. For Obsession Obsessive Obsessed, Pescador will display photographs of created pairings between seemingly unrelated objects in the private spaces of Summercamp’s Project Project.  Aragna Ker blurs individual identity through experiential consumptions to create a digestive process that expels objective matter to be inspected, avoided or re-consumed by the audience. Subliminal bells gently prompt viewers to dig through the layered depth of intuition; thus, cultivating space for onlooker to become participator. Public presentation of this work creates its own virtual hybrid of culture and globalism.

In another installment of The Lost Artworks, Matt MacFarland will create comic drawings to document his experiences at the opening. The Lost Artworks, MacFarland’s ongoing project, adheres to a structure that suggests a serial production without the series.  Any medium can be employed in the Lost Artworks.  Video can be next to a sculpture made of dryer lint, drawings next to a wall painting resembling a stain.  The potential meaning of each part of the installation, similar to how words are structured in a sentence, is contingent on the piece next to it.  Rochelle Botello’s Dreamboat is fueled by her experiences, both real and imagined. Botello uses cardboard, paper, tape and fabric to create absurd scenarios that engage issues of identity, desire, and control thereby exposing the complex and contradictory nature of everyday life.  Meriel Stern  is transforming the topography of Summercamp’s Project Project by crocheting a covering blanket for the land out of clothesline and a path of round crocheted galvanized steel wire and silicone nipples.
 

Through constructed membranes, Jamison Carter explores the existence of spirit(s), phantoms, thoughts and things that have no physical form. Carter’s precarious linear structures attempt to give form to the physically undefined while remaining tenuous in their construction and defined by their negative space.  Kris Chatterson paints to explore abstract possibilities within self-prescribed limitations. The limitations serve as a conceptual framework to keep his process focused. Each painting begins with a series of structural marks that provide an armature for the looser marks. After being convinced of his motives, the resulting marks become passing thoughts in paint and time.

The OxyTree® is an indoor-outdoor installation by artist Laurie Sumiye that asks the viewer to imagine a near-future where clean air is a premium, and trees are sold and marketed as “all-natural air filters.” The work considers how obsessively buying green products blurs the reality of sustainability and science, and how our belief systems and cultural habits shape what we perceive our own health and well-being is related to the environment.  Nancy Popp’s projects investigate the body’s relationship to site and architecture, along with the risk and vulnerability of serious play.  For Obsession Obsessive Obsessed, Popp will invite audience participation and utilize the slope of backyard hill.

And as a compliment to Obsession Obsessive Obsessed, Hector Oviedo will be featured in Guestroom.  Oviedo’s drawings, often religious in nature, use a dense vivid color palette and extensive patterning suggestive of a rapturous experience.  Oviedo creates and shows his work at First Street Gallery Art Center, an exhibition resource and arts management center for adults with developmental disabilities in Claremont, California.

Monday, June 28, 2010

Really? Yes, Really.

. . . and now, a few images from -
The Real Show (title pending)


In Goatspace: Somersault by Xu DaRocha
 Photographs by Sean Dungan

Untiitled #1 by Sean Dungan

Untitled Sculpture #2 & #3 by Carly Steward 

Open Arms organized by David P. Earle

Open Arms
Videos by Karen Lofgren and Miwa Matreyek

Untitled (designation pending) by Sergio Torres-Torres

Summer Prop by Jill Newman


Pretty Vacant IV by Steven Bankhead







Aireoke with Master of Airemonies, Björn Türoque!
Photo by Kristy Baltezore

Photo by Kristy Baltezore

Photo by Jean-Paul Bondy

Photo by Jean-Paul Bondy

Photo by Jean-Paul Bondy


Photo by Jean-Paul Bondy






Photo by Jean-Paul Bondy

Photo by Jean-Paul Bondy

Sunday, June 6, 2010

Summer is here! Can you feel the heat?!?


The Real Show (title pending) 

Steven Bankhead   Xu DaRocha
Sean Dungan   Jill Newman   Carly Steward
Sergio Torres-Torres
Open Arms with Karen Lofgren & Miwa Matreyek**

June 13-27th, 2010 by appointment 
Opening Reception Sunday June 13th  5-8 pm. 

Aireoke hosted by Björn Türoque 7:30- 9:30pm

Organized by Fatima Hoang, Elonda Billera & Janice Gomez.  
**Organized by David P. Earle


Summercamp's Project Project presents, The Real Show (title pending) an outdoor group exhibition of artists who push the parameters of realism and expand its definition.  Xu DaRocha’s folded fabric oil paintings embody the juxtaposition of superficial casualness and emotional complexity. DaRocha confronts and celebrates the chaos and the order within the name of beauty, often spending hours, even days, folding fabrics and working on the detailed creases and wrinkles before starting the paintings, so that the images will carry the negotiations and the tensions between the sense of reality and emotional fragments.  While working at the Gardner Museum in Boston, Sean Dungan photographed the inside of the museum at night.  Dungan’s grid of four photographs are dark, quiet and may be boundary-destabilizing.  Carly Steward also uses photography to investigate topics such as exhibition design, display, installation, sculpture, and abstraction. With each photograph, or sculpture constructed, Steward aims to reflect a specific architectural detail within the space that is being displayed. The photographic sculptures use texture and space to enable the viewer to acknowledge his/her body. By creating a structure for the photograph to be displayed on rather than hanging it on the wall the viewer becomes more aware of the photograph as an object.  For The Real Show (title pending), Steward will display three 13 by 19” framed photographs on pedestal bases with the intention that during the duration of the show, the images will fade and change with elements revealing the ethereal nature of photography in contrast to the sculptural material. 

Engaged in the social and political impact of architecture and appropriated sites, Jill Newman explores improvised structures that exist somewhere between architecture and prop. By removing their original context and rendering these constructions fantastical and romanticized, Newman both celebrates and historicizes these subjects, shifting the image from a document to a signifier of self-sufficiency and resourceful ingenuity.  Pushing the symbolic potential of these pictures further, Newman recently began focusing on the relationship between abstraction and meaning by using flags and embellishments from these structures as points of formal departure for non-representational painting and sculpture.  Sergio Torres-Torres’s practice is based on an interdisciplinary approach determined by the conceptual, historical and material necessities of the project. For The Real Show (title pending), Torres-Torres has crafted a landmark sign overlooking the hills of El Sereno to find a balance between content and form.  Also interested in the openness of the urban vista, Steven Bankhead’s bench will allow for a contemplation of

“No things, no bombs, no stock market, no riots, no remakes, no isms, no cars, no oil, no development, no school loans, no commute, no jobs, no romantics, no recessions, no wars, no culture, no subculture, no pollution, no plastic, no bullshit, no assholes, no dicks, no time, no age, no guchi, no money, no modern, no blockbusters, no bosses, no disease, no corporations, no politics, no problems, no bills, no hunger, no nothing, no torious B.I.G…”

Karen Lofgren and Miwa Matreyek will be featured in Open Arms.  An art space delineated in tattoo ink on the forearms of two Johns, John Barlog and John Burtle—Open Arms consists of two 2" x 4" plots of skin that have hosted drawings, petite paintings, mini-sculptures, micro-performances. For The Real Show (title pending), David P. Earle was invited to organize a project in Open Arms.

Dan Crane is a journalist, author, musician, and competitive air-guitarist. He is the author of “To Air is Human: One Man’s Quest to Become the World’s Greatest Air Guitarist” (Riverhead Books, 2006), and the co-star of the award-winning documentary, Air Guitar Nation.  In 2004, Crane gave up his career as an educational software producer to pursue his dream of becoming the world’s best air guitarist. Under the nom d’air Björn Türoque (pronounced to-RAWK), he competed in numerous competitions, repeatedly coming in second place. He retired in 2005 and now emcees air guitar competitions around the world and will be hosting Aireoke (the air guitar equivalent to karaoke).  It is an exciting venture to have air guitar leave the bright lights of the stage and find a home in the intimacy of  The Livingroom.



Summercamp's Project Project   3119 Chadwick Drive, Los Angeles, CA 90032

Sunday, April 25, 2010

Go Big or Go Home!

Congratulations to the new Los Angeles Air Guitar Champion, our very own Janice Gomez-Hoang:ROCKS, the aka Bride of Rock!! Thanks to Shinichi Ono for this fabulous photo, and thanks to all of the people who caught her when she trust fell from the balcony! Go Big or Go Home- as they say...

On to Nationals!
-Elonda